Building Blues Chord Progressions

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Part of the video series: How to Play Jazz Saxophone

Summary: Build and play blues saxophone chord progressions if you're an advanced jazz sax player; learn how with tips from our expert jazz sax player in this free sax video music lesson.

Views: 3,220 | Tags: jazz, instrument, instruction, saxophone, sax, improv, improvisation, musical instruments


About the Expert
Contact: ricksmusicalinstruments.com

Mitch Kaplan Proficient on multiple instruments, Mitch Kaplan has performed and taught music for two decades. He is also a published author of music education books and on... read more

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Video Transcript

Building Blues Chord Progressions

For Expert Village this is Mitch Kaplan. In this clip we will be talking about the second type of chord progression, that is the blues progression. It is very handed down from generation to generation, started with people like Buddy Bolden and some of the greats in New Orleans. Now the blues progression is built of three major types of chords. Now here is the first chord, the major seven chord but we are going to make it a blues minor. The next chord, we are going to make it a major seven, actually we are going to lower the seventh a half step to give it a more blues feeling, that’s the four dominant seven. Then we are going to move up one step and we are going to use this as our dominant chord. That is our G dominant chord, then we are going to go back again, we will use that for the one measure and we will go back down. We will hold that for one measure and that is of course the four dominant seven, then we go back to the one minor seven. This is called the minor blues. It is very similar to the major, so here is the four measures of the minor seven chord of the blues progression, then we go to the fourth chord, now is for two measures, then we go back again to the one, for that two measures, then we go to the five chord for one measure, then we go to the fourth dominant chord, make it a little bluesy and we put it together and we come back to the one chord for two measures. Now I am going to put it all together and make it sound like something that you would hear in a traditional band.

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