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Summary: Learn from our expert how to play D minor in altered chord voicings in this free music video on chord voicing and piano lessons.
Views: 475 | Tags: theory, piano, chord, major, minor, voicing, music theory
About the Expert
Ryan Larson Ryan Larson is a young jazz composer whose teaching technique focuses on the basics of music theory in all twelve keys. When applying his twelve-key technique... read more
So now when we go and play D minor and we're changing up the different voicings, say you have like a D minor flat nine, again we just make D one. And we have one, three, five, seven, nine, eleven, thirteen, right? One, three, five, seven, nine, eleven, thirteen. Some, depending on what real book you're looking at, sometimes it's written as two, four and six but it's usually written as nine, eleven, thirteen. It's just something you got to get used to reading. But say we have a D minor flat nine, I'm just going to take the nine and flat it. And make sure that's in my voicing. No, flat nine is right here. Or say I have D minor sharp five... Or I could have D minor flat six where I have the same thing but I'm going to voice the five. And I'm going to avoid the six. You hear that a lot in this James Bond theme, you know? So again, you're just going in and altering the individual voice that is specified by the chord you're looking at.