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Summary: Play the blues bass line on bass guitar, concentrating less on the measures and sticking the line as a whole; learn how from a professional bass guitar player and teacher in this free music instruction video.
Views: 597 | Tags: bass, guitar, scales, theory, jazz, folk, guitarlessons, guitars, bass guitar, music theory
About the Expert
Ryan Larson Ryan Larson is a young jazz composer whose teaching technique focuses on the basics of music theory in all twelve keys. When applying his 12 key technique to ... read more
Now, now when we play two bars of the A seven, the line is different. It first starts the same. C sharp, E, F sharp, now, for the next measure, we throw in the seventh scale degree. The flat seventh, G, for our dominant. F sharp, E, C sharp, so now it's A, C sharp, E, F sharp, G, F sharp, E, C sharp. Now you do the same thing because we have two measures of four next. Now we're on measures five and six of the twelve bar form. D, F sharp, A, B, C, C is the flat, B, A, F sharp. And we do another two measures, for measures seven and eight, for A seven. Same thing that we had before. Now we could do for E a turnaround, outline the triad 'cause it's an E seven, so there is the triad major. E, G sharp, E, and then go back to E 'cause we're just staying in this area for now. D, F sharp, A, F sharp, so we're just doing triads. Now we're going to go A, C sharp, D, E, D sharp actually, E, D, that's a chromatic, we'll talk about those in a little while, C sharp, B, so the important thing so far is just a line. Okay?