Etude Number Nineteen for Classical Guitar: Part 4
Hi! My name is John Armstrong with expertvillage.com. I’m a professional guitar instructor, and today I’ll be discussing some advanced classical guitar pieces. Okay, now once again here now, we’ve modulated into the relative major. We started off this next phrase piano, very soft on the G chord. We’re going to crescendo up here; we’re going to be working out of an A minor 7 chord. Now, an A sharp or B flat diminished 7 chord to G. Now, barring the 2nd fret again, notice the barring symbol. We’re working out of the B7 chord. It’s a C. Back to that diminished chord. Here, notice we’re going to come up and bar the 7th fret; we’re going to go back to B. Drag that note right there; drag that B note out there. I know it just says that it’s an 8th note there, but I would almost put a fermata sign over that. A lot of vibrato, open A, G and then F sharp. So, from the beginning of this phrase.