Less Common Time Signatures for Symphony Orchestras

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Part of the video series: Tips for Conducting an Orchestra

Summary: A symphony conductor music be familiar will all the time signatures of a score. Learn more about keeping time for an orchestra in this free conducting lesson from an experienced conductor and composer.

Views: 204 | Tags: classical, ballet, orchestra, symphony, conducting, conductor, opera


About the Expert

Lennon Leppert Lennon Leppert is a film composer and songwriter. He has worked on projects produced by The Discovery Channel, The History Channel and The Learning Channel. H... read more

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Video Transcript

Less Common Time Signatures for Symphony Orchestras

In this clip we will be talking about the time signatures that are less common. They will include 5/4, 9/8, and 12/8. So the first 5/4 is a time signature that can be divided up into either 2 3 or 3 2, and it refers to whether it's 2 3 or 3 2 depends on the piece and the music and the feeling of the music will define whether or not it's a 2 3 or a 3 2, and this can come up with a couple of different time signatures, and it will say a little 3 2 above the time signature. So, the 5/4 and a 2 3 pattern would be down, left, right, right, up, down, left, right, right, up. And then, a 3 2 would be down, left, left, right, up, left, left, right, up. So, that's usually how you'll do it, and it will say it in the score above the time signature if it's a 2 3 or 3 2. The next is 9/8, and that is one, two, three, four, five, six, seven, eight, nine; one, two, three, four, five, six, seven, eight, nine; and it's pretty straightforward. 12/8 is kind of like 9/8 it's just three extra beats, so it's one, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve; one, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve. So you'll go down, right, right, left, left, left, right, right, right, right, up, up, up. And, in books and stuff if you look up conducting in books, the patterns will be described exactly like that, so it exactly creates arches, and then to the right, and then up. And it makes a little more sense when you see it in a book.

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