Making a Copper Pipe Xylophone

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Part of the video series: How to Make a Copper Xylophone: Part 1

Summary: Making a copper pipe xylophone is easy with these tips, get expert advice on crafting musical instruments in this free video.

Views: 417 | Tags: crafts, orchestra, xylophones, mallets, marimba


About the Expert

Benjamin Hehn Benjamin Hehn has lived most of his life in Northbridge Massachusetts near the site of a Native American Massacre that took place near his house. Much of his... read more

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by druk

Please send me an email so I know you've answered me. Thank you!!! rabadanpaz at hotmail com

by druk

Hi Benjamin, I purchased a toy piano which has tines, so I figured you could help me out because, in a way, tines are similar to xylophone bars. The thing is one of the tines is sharp, and I can't seem to flatten it without muffling its sound. The manufacturer sent me some springs and told me to attach one around the tine, but this muffles the sound and doesn't do a good job of flattening the note. Any ideas?

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Video Transcript

Making a Copper Pipe Xylophone

In this series we're going to talk about different aspects of the xylophone. We're going to go over how a xylophone is tuned. Without any kind of tuning capability, we have to have way to get the metal to the size we want to make the pitch we want. We're also going to talk about how to pick the right octave for our xylophone. Octaves can span anywhere, anywhere on a chart. There could be ten octaves. We couldn't hear all of them. But, there could be ten. But we're just going to make one octave. So we're going to talk about how to find that desirable pitch, that desirable octave that we want to play our music in. Other things we're going to talk about is the kind of metal we want to use to make a xylophone. For our purposes today we're going to be using copper piping. We're going to talk about what kind of piping we want to buy, how thick we want it and the kind of metal we want to look for when we're shopping for copper pipe. So today, we're going to look at a real xylophone that's been orchestrally tuned. We're going to investigate how it's been tuned. Then we're going to redo that process using our own metal.

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