How to Book a Rock Show

Learn some very important tips on how to book a successful rock show at the right type of venue or bar in this free video clip series on the music business.

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Tags: music business, rock stardom

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Summary: Finally, the big day has arrived. You roll out of bed at 3 in the afternoon, reach to the coffee table to grab your Black Sabbath wrist bands hidden in the midst of beer bottles and cold pizza, and jump to the clothes covered floor with your fist already raised to the sky. After standing in front of the mirror for an hour listening to Metallica's Black Album, you put tattered clothes on, throw your Gibson Les Paul and Marshall Half Stack in the back of your Honda Civic and drive into the sunset to make Rock n Roll history. After a gruesome sound check and frequent arguments about where to put the microphone, you finally look up to your masses of fans to find only a middle aged, slightly balding man standing in the back grumbling and pacing. With a broken heart not even Jimmy Page and all his black magic could heal, you drive home, dejected and alone asking, “If rock happens at a bar, but nobody's around to hear it, does it still rock?”

In this free video series, watch as rock n' roller and out of controller David Jackel teaches how to book a rock show. Are you tired of just playing for the bartender? These step by step music business lessons will turn you into a rock god in no time. Learn how to promote electronically, where to put fliers, how to write a review, how to get radio promotions, and spread the word by word of mouth. Unfortunately, playing rock shows is not as easy as “if you build it, they will come.” For a successful show, just as much work needs to go into promotion as practicing and the experts at Expert Village want to help.

About the Expert

David Jackel has been writing and performing music since he was sixteen. Influenced by the Beatles, the Pixies, Jane’s Addiction, Suede, and Luke Haines, among other artists, David’s music fuses the melody and shine of British pop with the frantic abandon of American rock and roll. He is a fan of Oscar Wilde and Vladimir Nobokov, and writes lyrics best described as dark comedy. His tremulous vocals reflect his teenage experience in musical theater, and have been compared in reviews to those of Morrissey, Brett Anderson, and Peter Murphy. David grew up in Holmdel, NJ, and spent most his childhood listening to music, drawing, and reading. Though he enjoyed music as a child, David showed little aptitude or interest in creating it. This changed during his sophomore year of high school when he auditioned for the spring musical. Since then he has held a deep appreciation - of which he is more than a little embarrassed - for theatrical music. David has written and recorded over fifty songs. His music has been licensed to be used on television as well.

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